![]() It’s not all in the humor or the quality of color or maybe selecting aggressive topics like the environment of corruption. ![]() Findings suggest that while The Simpsons adheres to the standard reproduction of prejudicial, stereotyped and marginalising discourses, Steven Universe takes a more unique and emotionally orientated approached to the constructions of discourses involving same-sex relationships and desire and that the progression of gay visibility in cartoons is only now extending beyond fleeting, two-dimensional stereotypes towards more intimate and romanticised discourses of same-sex relationships and desire.įrom its creation The Simpsons proved different, but how the irreverence of a show can be enough for the American public to select this sitcom as it preferred primetime watching time? How the show confronts capital issues of our decadent society as race, gender, religion sex and first, family and marriage. imagery sound) in order to analyse constructions and representations of gay relationships and desire and how they are situated within the shows. Analysis adopts a Foucauldian interpretive approach to language (Arribas-Ayllon & Walkerdine, 2008) alongside other multimodal aspects of discourse (e.g. Analysis is applied to 15 key episodes in order to examine the way in which same-sex, or non-heterosexual romantic desire and relationships are presented in an aging and more recent animated TV show, commonly viewed by both adults as well as children this is done in order to examine the ways in which homosexuality is routinely presented in each. The study presented is a comparative investigation into multimodal discourses (O’Halloran, Tan, Smith & Podlasov, 2011) of same-sex relationships and desire in The Simpsons and Steven Universe.
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